This will be a live, three-part interactive on-line workshop for up to six people. Tickets will go on sale on 1st May.
Creating a fine art image starts in the mind of the photographer. Colour or monochrome, high or low key, minimalist or dramatic and bold, each are decisions that will influence not only how the shot is captured, but equally how the image is handled during each stage of post-processing.
Spread across three days and involving more than 6.5 hours of workshops and interactive discussion, tutor David Rosen will share his highly structured and in-depth fine art possessing workflows. The workshops have been designed as a post-capture blueprint to provide photographers who wish to take maximum advantage of their creative vision to create fine art photographs, but who lack in-depth experience of the necessary fine art processing techniques and skills.
Each of the three workshops has been designed to provide an in-depth insight into one of three fine art techniques. These will be:
- high-key minimalist B&W
- low key dramatic B&W and
- fine art colour.
For each technique the role and importance of envisioning will be explored, followed by live processing backed up by explanatory slides. Each of the key steps and milestones will be explained and how envisioning should drive each of the processing steps and the choices between alternative techniques.
The topics covered and techniques shown will include image file preparation (colour space and profile settings) and their influence on subsequent processing as well as important early choices in Camera RAW prior to B&W conversion. In addition the various B&W conversion options and their strengths and weaknesses are shared, including the issue of image degradation and how to avoid it during processing. The importance of selections are pointed out and the key strengths and weaknesses of luminosity and vector based masking.
Throughout the workshop, the role of processing milestones will be stressed and how to use grouped and stamped layers to separate and maintain the integrity of earlier processing stages. The combined use of blend modes, layer masks and image adjustments will be demonstrated and how they can be used to transform selected areas of the image. Finally, the later stages of fine art image editing will be shown including various dodging and burning techniques, gradient mask overlays and recommendations on how to best sharpen fine art images.
Each of the six participants will be invited to submit in advance of the workshop a RAW image that they believe has significant potential the start of the workshop. David will provide individual feedback on each image, including suggestions as to a fine art processing strategy. Having consolidated their thoughts, participants will be invited to briefly share ideas on their selected image at the end of one of the workshop days. Included as part of the workshop will also be one opportunity for participants to submit their image after it has been processed for any feedback and suggestions.
By the end of the workshop participants will have gained an initial grounding in the role of envisioning in the creation of fine art photography and the current genres of fine art photographic styles. They will have also been exposed to the various techniques and processing strategies needed to create several different styles of fine art images. Finally, whilst this workshop is not intended as a comprehensive course on fine art photography, it should however provide an inspiring background and early stage post-processing technique backgrounder with regards the exciting possibilities of fine art photography.
In order to take part in this workshop, you will need:
a computer with webcam and microphone
a reasonable internet connection
Adobe Photoshop installed
- a working knowledge of layers, masks and selections in Photoshop
More of David Rosen's work can be seen on his website www.davidrosenphotography.com
Event timings are stated in UK time.
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- Cancellation policy
Cancellation by You
If you wish to cancel your booking PLEASE let the event leader / organiser know with as much notice as possible. If nothing else, this can avoid them delaying the start of the event while they wait for you.
If you have paid for an event, please note that this fee/ticket price is non-refundable unless we are able to sell your place to somebody else. You are welcome to sell your place yourself but, again, PLEASE notify the event leader / organiser in advance of any change.
Cancellation by us
Event leaders are asked to make plans for alternative activities or locations in the case of poor weather and, in most cases, events will proceed despite poor weather unless, in the view of the event leader, the weather will lead to unacceptable safety risks or very little chance of successful photography. It is inevitable, however, that occasionally an event will be postponed or cancelled for this or another reason beyond the RPS’s control. If an event is postponed we will transfer your booking to the rearranged event, with the option of a refund if the rescheduled date is not suitable for you.
Occasionally an event may also be cancelled owing to lack of bookings. So if you wish to attend an event, don’t leave it till the last minute to book as it may be too late.
If an event is cancelled we will give you as much notice as we are able and any payment by you to the RPS in respect of the event offered as a full refund. In the case of events cancelled because of lack of interest we will aim to give at least three weeks’ notice wherever possible.
Please note we are NOT able to refund any associated or consequential costs including but not limited to travel, accommodation, insurance premium or other costs incurred by you in order to attend the event.
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