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CREDIT: Viktoria Haack

Member's Stories

RPS Landscape Group members are encouraged to submit articles for publication

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The following articles were published in the Landscape Group's Magazine or Newsletter.

If you would like to contribute to the next group's magazine or newsletter, please get in touch

Landscape Magazine Editor, Ellie Lilly, landscapemagazine@rps.org

Landscape Newsletter Editor, Peter Fortune, landscapenews@rps.org

2023

6
CREDIT: Candia Peterson
The End of Autumn
by Candia Peterson

 

Although the Catskill Mountains of New York don’t really count as New England, the “Fall” colours are no less spectacular given the right mix of heat and rainfall throughout the summer.  However, I found myself on my travels away from the area around the time of “leaf peaking” magnificence (lots of leaf peaking festivals and fairs at this time of year) and by the time I got back to base in mid-October, all that was left were the last vestiges of glory in isolated pockets.

Read here
Ardessie Waterfalls
CREDIT: Mark Reeves FRPS
Autumn in Torridon and Wester Ross - 5 Day RPS Landscape Group Workshop
by Jamie Bodley-Scott

A promise had been made by the RPS, to see Autumn in Torridon and Wester Ross. Well, six intrepid explorers: Colin Balfour, Douglas Hay, myself, Par Campbell, Tony Ivan Hugh, & Vic Cotton) ably assisted by Mark Banks and Mark Reeves all appeared in Gairloch late on one Sunday in October to find out if the promise could be fulfilled.

Read here
Portal Andrew
CREDIT: Andrew Hayward-Wills
RPS Landscape Group trip to Savernake Forest
by Peter Stott

 

We met at 7 AM on the Grand Avenue, Savernake Forest at a point marked on the ‘what3words’ app as ‘biker.deserved.though’.  At 7 AM it was so dark that even at ISO 12580 we were still only recording tail-lights - six RPS landscape photographers led by professional photographer Robert Harvey.

 

Read here
Chris Mcintosh Welcombe Beach
CREDIT: Chris Mcintosh
Hartland Peninsula, North Devon Workshop
by Elizabeth & Stephen Roberts

The instructions were to meet in the car park at 10.00 am prompt, and the participants were all duly present… trying to make each other heard in the 40 mph wind gusting considerably more that was blowing over the headland. But the sun was shining and it wasn’t cold, such has been the extraordinary weather this year. Our workshop leader Robert Harvey arrived and gave us a clear briefing for the day that lay ahead....

 

Read here

2022

Norfolk Dawn
CREDIT: Roger Styles
Dawn Photography
by Roger Styles

I cannot claim to be a dedicated dawn photographer. It has always been by chance that I have been up and about at the sunrise hour. Take, for example, while staying in a holiday cottage just a stone’s throw from a Hadrian’s Wall it was a whine from our dog that told me he needed to go out. Hence, outside in my dressing gown at around 5 am, I saw a clear starry sky and mist across the nearby fields.

Read here
Cloud Inversion Spills Over At Dusk
CREDIT: Jo Court
Keeping equipment light and easy for mountain hiking
by Jo Court

In 2018 we discovered a beautiful area in Northern Spain, a mini Swiss Alps, and this summer saw us return for the third time.  On our first trip I took photos with my point and shoot automatic camera. On route back to England I decided to hand in my notice at work and re embark on my creative journey.

Read here
DSCF0156
CREDIT: Dibs McCallum
Dinorwic Quarry, North Wales
by Dibs McCallum

Over the course of 4 years, I have made numerous trips to one fantastic part of the UK called Dinorwic quarry. This abandoned quarry that started its mining history in 1787 and eventually closed in 1969, is located to the North West of Snowdonia National park

Read here
Hot Dogs
CREDIT: Honey J Walker ARPS
Skyscrapers & Hotdogs
by Honey J Walker ARPS

New York, New York, what a wonderful town! A city I used to know very well having visited annually, for either work or pleasure since my early teens. Then Covid hit and an interlude of over four years before I visited this chaotic, frenetic and exciting city again was inevitable. As with most large cities, New York is made up of a series of boroughs and as you walk from one to another, the atmosphere, architecture and local inhabitants change. Sometimes subtly, more often it is like a slap in the face.

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The Shard From The North Bank
CREDIT: Mark Godfrey LRPS
Long Exposure Cityscapes
by Mark Godfrey LRPS

I’m a member of the RPS Landscape Group, but wouldn’t call myself a landscape photographer, unlike my friend who spends weeks looking for the right weather conditions, traipses for miles over rough terrain and waiting hours to get the picture – but he takes brilliant landscape photographs. My main interest is street/documentary photography and capturing a moment where you have little time, but plenty of opportunities to capture another if you miss that one. However, cityscapes are something that really interest me and combines well with my love of street photography.

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UP HILL DOWN DALE
CREDIT: John Foster
Imagined Landscapes
by John Foster

I am tired of landscape photography!

That’s not to say I don’t enjoy a well photographed and atmospheric image of our beautiful planet but I grow tired of the cliches - the endless recurrence of Durdle Door, Assynt, Luskentyre beach or Lofoten, trotted out at every camera club competition 

Read here
Anne Whiteley 01 Hartland Quay Waves Canon R5
CREDIT: Anne Whiteley
Hartland Peninsula Landscape Photography Workshop
by Anne Whitely

On a bright, sunny and mild October morning 5 keen amateur photographers met with Robert Harvey on Hartland Quay, North Devon. We were all looking forward to a day of landscape photography on this dramatic, unspoilt and relatively unknown area of the North Devon Coast. Robert outlined plans for the day, advising on lenses and suitable footwear for each location - 3 in total on the itinerary.

Read here
Floating Ice Jokulsarlon Beach Iceland
CREDIT: David Rosen
Developing a personal style by taking Control of Colour
by Ingrid Popplewell

This excellent workshop on Taking Control of Colour run by David Rosen, consisted of 3 2 hour Zoom sessions on 3 successive days with 6 participants (one of whom was in Perth in Australia!)

David started by talking about colour in photography and how it contributes to the success or otherwise of both representational and fine art photography.

Read here
3. The Maypole Marker
Maplin Sands, Essex with Professional Photographer, Justin Minns
by Patrick Smith

Maplin Sands lies off the coast of Essex beyond the resort of Southend and makes up part of the Thames estuary.

It is a vast area of sand that stretches up to 5km from the shore at low tide and across this area is an ancient footpath – The Broomway – which connects Foulness Island with the mainland.

Read here
09
CREDIT: Matthew Little
2022 - A year to learn how to take landscape photographs
By Matthew Little

I spent the pandemic shielding as a clinically extremely vulnerable person. I followed the guidance diligently, isolating indoors and having all my needs delivered to me. After shielding had ended, having spent so many months inside I had lost my confidence in going out and in total it was very nearly 2 years that I did not leave the house. In order to provide myself with motivation and to force myself to get outside again I decided for 2022 I would set myself the challenge of learning how to consistently take good landscape photographs (not just the odd lucky snapshot).

Read here
04
CREDIT: Gerald Phillipson ARPS
The Marais
by Gerald Phillipson ARPS

The Marais is a region of wetland  in SW France.  Covering an area of 25 hectors it is the largest limestone wetland in the Dordogne and is protected  by the Regional Nature Reserves of Aquitaine. Access is by a two kilometre circuit of duckboard walkways and footbridges.  

Read here
Crossing The Lagoon By Lindsay Southgate
CREDIT: Lindsay Southgate
Flat and Minimalist Landscapes
by Lindsay Southgate & Stephanie Thomas

Cornwall, a land of towering cliffs, rugged moorland and deeply incised river valleys doesn’t necessarily suggest flat and minimal landscapes yet living in a county, bursting with honey pot locations, didn’t stop us signing up for Alex Hare’s remote workshop, “Flat and Minimalist Landscapes”. Having listened to Alex’s talks and enjoyed the book making workshop he runs with Lizzie Shepherd, we had been inspired by how he uses classic styles and approaches to finding unique viewpoints. We wanted to move further away from planting our tripods where so many others have placed theirs.

Read here
Tree On Hill By Phillip Edwards
CREDIT: Phillip Edwards
South Downs Workshop
By Phillip Edwards

As Shakespeare wrote of “May’s new-fangled mirth” the weather did seem to be toying with us on a workshop led by Philip Bedford to the Firle Beacon and the wider South Downs on the 19th May. We were treated to three seasons from dawn to midday, which never failed to obscure the beauty in this East Sussex corner of England’s newest National Park. 

Read here
Widemouth Tide  by Paul Bather ARPS
CREDIT: Paul Bather ARPS
Visit to Bude
by Paul Bather ARPS

To celebrate the New Year, I went with my Wife and a couple of friends for a week’s break staying in Marhamchurch near Widemouth Bay just outside of Bude, Cornwall. It was a long-delayed break having been booked two years previously and then delayed due to Covid.   

Beach Huts
CREDIT: Iain Kitt
Seeing in black and white in Saltburn
By Iain Kitt

A good motto for a photography workshop, it seems to me, would be to expect the unexpected.  So I shouldn’t have been surprised when on a workshop with Mark Banks, entitled ‘Seeing in black and white’, we started off looking at possibly the most colourful line of beach huts that I’ve ever seen.

Read here
Beach Huts
CREDIT: Patrick Smith
Suffolk Coast Workshop with Justin Minns
By Patrick Smith

This was part three of the trilogy of workshops that I had been fortunate enough to attend during the Autumn of 2021 and this location was in stark contrast to the autumnal woodland settings of the first two workshops. We were gathering at Southwold pier in Suffolk to spend the day visiting 3 locations on the coast – with hardly a tree in view!

Read here
Falling Foss 02
CREDIT: Ken Bladen
Falling Rain at Falling Foss
By Ken Bladen

John Updike wrote the following “Rain is grace; rain is the sky descending to the earth; without rain there would be no life”. Well, on a workshop led by Mark Banks at Falling Foss in the North York Moors National Park on Saturday 30th October, we were graced with rain for most of the morning and the early part of the afternoon.

Read here
6 Hill Fort Roundway Down
CREDIT: Patrick Smith
Wiltshire Autumn Landscape
by Patrick Smith

Ten days after a successful trip to Hatfield Forest for my last RPS Landscape group workshop – I was off driving west along the M4 to meet up with Robert Harvey to search out some photographic gems in Wiltshire.

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A Tranquil High Tide Meeting The Cuckmere River
CREDIT: Howard Klein LRPS
The Seven Sisters
Howard Klein LRPS

This area of Sussex has become a favourite English location for photography where I’m starting to gain a deeper understanding of varied seascapes and shorelines, big views and more intimate images.  I’ve seen Rachael Talibart’s work and been on a few of her one-day workshops and, having previously done days with Philip Bedford around the Devils Dyke and Alfriston, I booked his Seven Sisters workshop as soon as it became available online. 

Read here
Yorkshire Heather By Janice Burton LRPS
CREDIT: Janice Burton LRPS
Yorkshire Woodland in Autumn
By Trevor Burton and Janice Burton LRPS

You know the feeling. You take the card out of the camera and pop it into the computer. Excitement rises, tempered by history. So often your hard work has been wasted; or at best compromised. There’s a distraction on one of the edges. Fancy not noticing the tree crossing the horizon. Why didn’t you move another metre to the left or right? And worst of all; the main interest is not quite pin sharp. 

Read here
Image 4
CREDIT: Mark Sims LRPS CPAGB BPE4
A Few Days at Loch Ard
By Mark Sims LRPS CPAGB BPE4*

I don’t know about you, but once in a while I like to book some time off work and go ‘somewhere new’ and challenge myself to capture some images outside my usual ‘comfort zone’.  I like to try and get away around October time so, in search of inspiration, I had another look at my Landscape Photographer of the Year (Collection 13) book and was drawn to an image by Chris Lauder (page 168) taken at Loch Ard.

Read here