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#1 (1) ME
David Gilliver Lightpainting 24 February 7pm

THE MAGICAL ART OF LIGHT PAINTING

Prepare to enter a world where surreal light-sculptures inhabit familiar landscapes. David's colourfulimagination will be on full display during this presentation. He will be discussing in detail both his inspirations and the technical considerations he makes when creating this style of work.

Over the last 15 years David has amassed one of the largest collections of Light Painting tools on the planet andhe will be discussing what camera settings he uses, as well as covering what tools can be used for creatingdifferent effects on different shoots.

Forget photoshop and the editing process in general for the night – this is all about what a photographer can accomplish through the magic of long exposure photography when combined with a sprinkling of imagination(and a little patience).

I graduated from the Glasgow School of Art in 2001 with a BA (Hons) in Fine Art Photography and have been building my career as a professional photographer and artist ever since. Early on I became captivated by macro photography, inspired by the work of David Levinthal, and spent several years of my degree creating images of toys and figurines—a body of work that earned me a reputation as one of the school’s most prolific students. After graduating, I moved to Guernsey for work in offshore finance but stayed creatively active, eventually becoming deeply immersed in long-exposure and light-painting photography. From 2008–2014 I produced a vast nocturnal portfolio and amassed one of the world’s largest collections of Light Painting tools. When my daughter was born in 2014, I shifted my focus back to macro photography, finding ways to create whenever time allowed.

Returning to Scotland in 2015 with my wife Melissa and daughter Lea marked a turning point, and in 2018 I made the leap to becoming a full-time artist. Since then my work has gained international attention through exhibitions, workshops, and commissions for clients such as John Lewis, Sony, Adobe, Samsung, Lexus, Honda, ThreeUK, the Noor Riyadh Festival of Light, and AIDA Cruises. Alongside creating bespoke artworks—my greatest passion—I now regularly teach Creative Photography Workshops across the UK, present to schools, colleges, universities, and camera clubs, and continue to share the magical techniques of Light Painting and Macro Photography. Despite the ups and downs, being a full-time artist feels entirely natural, and I’m continually grateful for every opportunity that comes my way.

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From Land V1
From Land Q & A Wednesday 4 February 7pm ONLINE

Join us on Zoom at 7pm on Wednesday 4 February for a must-attend Q&A that goes behind the scenes of From Land— the ambitious **Royal Photographic Society Scotland coffee-table book project running throughout 2026. Hosted by Sam from RPS Scotland Events & Engagement, this session features Dr John Post in his dual role as From Land panelist and RPS Scotland Project Officer, offering rare insight into the ethos, expectations, and opportunities within the project. We’ll be talking vision, storytelling, what really makes an image sing on the page, and how your photographs can become part of a lasting publication celebrating Scotland’s managed landscapes. If you’re even thinking of taking part — or don’t want to look back later wishing you had — this is the conversation you won’t want to miss.

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Stewart Wall MA ARPS NCTJ - Weds 4 March 7pm - Zines & Photobooks

Stewart Wall MA ARPS NCTJ is a professional photographer, qualified educator, and long-standing contributor to the Royal Photographic Society. His career began in 1978 as a trainee photo-journalist at the Brentwood Gazette, where his first published image was a street photograph — schoolchildren caught in the energy of a snowball fight. That early assignment sparked a lifelong belief that the street is one of photography’s richest stages for documenting real life.

Trained through the National Council for the Training of Journalists (NCTJ), Stewart went on to work across regional and national press while developing a deep commitment to photographic storytelling, education, and book-making. Within the RPS he has played a significant leadership role: he authored the official criteria for the Photobook genre and served as Chair of Photobook Assessments for two years, helping to establish contemporary standards for narrative photography within the Society. He also chaired and assessed Licentiate applications.

Over the past decade Stewart has become widely recognised for leading collaborative street photography and place-based projects, most notably the long-running Streets in the Sky trilogy (2015–2025), created with photographers at Sheffield’s Park Hill estate. His projects explore the street as a document of lived experience, social memory, and everyday performance.

Today, Stewart’s practice focuses on guiding photographers towards creative street photography projects, from first ideas through to zines and photobooks, using his own methodology which blends emotional mapping, sense of place, and sequenced storytelling.

In this talk, Stewart will share practical strategies for developing meaningful street photography projects, approaches to sequencing and editing for zines and photobooks, and insights from a lifetime spent documenting life as it happens.

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Mark Banks 9 April 7pm Printing & Paper Choices

 

Title: The Art of Choosing Paper

Subtitle: Understanding How Paper Influences the Final Print

 

Talk Description: Mark’s talk explores how paper choice hugely influences the final printed image and why it plays such an important role in the printing process.

 

Talk Purpose: By developing an understanding of how different papers behave - rather than relying on formulaic or habitual choices - you will be better equipped to select papers that support your creative intent and help your images translate more successfully from screen to print.

 

Mark’s Bio: Mark is a professional landscape photographer based in the north east of England. His passion for the subject comes from the love of travel and being outdoors in remote places.

Mark has been teaching landscape photography, post-processing and printing for over 20 years and runs photography workshops around the UK and abroad. Further details about Mark’s workshops can be found at www.markbanksphotography.com.

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