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Teresa Eng, a London based artist who’s work has been featured in publications such as Vogue Italia, British Journal of Photography, Dazed & Confused, Raw View, Invisible Photographer Asia, Photow...

This is the sixth blog in a series on COVID-19 and lockdown, edited by the RPS Contemporary Group. Peter Bartlett ARPS describes his experiences and observations during his allowed regular exercise un...

Simon Riddell tells us about his project ‘MentalCollodion’: Supporting Mental Health with Wet Plate Photography during a Pandemic.

We are back on Zoom on 20th November 2021. Please contribute any current projects, whether ideas, photographs, books, or any online resources that have inspired you. If you would like to attend please...

eMagazine of the RPS Germany Chapter covering topics of the 3. Quarter of 2021. The October edition of the eMagazine contains the following topics: Top Story: "MUC - ZINE ONE - WIESN"; Distinction "Ho...

How Can I Copy Old Photographic Plates? This article was originally published on 18 April 2015. How to copy and get a print from old glass plates and negatives Author: Dr Michael Pritchard FRPS One of...

Contemporary Group History Detailed notes on how we came to be are available in the following linked documents: In the beginning Update 2016 Update 2017

Takashi Arai Featured artist in Squaring the Circles of Confusion: Neo-Pictorialism in the 21st century Meet the artist Takashi Arai is a Japanese visual artist and filmmaker. Takashi first encountere...

On a journey studying stuff around the work of Warren De La Rue and his moon camera.

Every week we are going to get the Distinctions Chairs to share their top tips, tricks and best kit with us. This week we speak to Mick Durham FRPS, Distinctions Natural History Panel Chair.

Just a DSLR image sensor, a 2000mm f/6 mirror and a little persistence. First light achieved for this telescope!

One of the great virtues of The RPS comes from the connections across photography. An example of a common project with a fellow member.

After a day interacting across communities viewing conditions for twilight skies looked good. But I had a little interloper!

The aim of this part of my Aperture project is to generate the knowledge I need to enable the creative use of starbursts. Here is a series of five all taken on the same evening.

Edward Forster ARPS

Kevin Morgan LRPS

Alan Millin